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During the 1870s and 1880s a loose group of French artists including Pissarro Monet and Renoir adopted a style of painting and subject matter that challenged the art prompted by the Academie Francaise and the Salons where official assumptions about the meaning of painting prevailed What has been called the revolutionary nature of the Impressionist enterprise emerged from political radicalism belief in science and individualism and a view of art true to modern life and to immediate visual perception In all these respects Impressionism initiated the radical tendencies of modern art Today the revolutionary aims of Impressionist artists are generally overlooked Impressionist art has been marketed more successfully than any other style the price of Impressionist paintings surpasses that of the Old Masters exhibitions draw blockbuster crowds and books and mass reproductions are ubiquitous In her perceptive new survey Belinda Thomson challenges both sentimentalized and simplistic views of Impressionism Drawing upon recently discovered documen
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